[ Pdf Storia del nuovo cognome Ø world-war-i PDF ] by Elena Ferrante ½ expertcentr.pro

[ Pdf Storia del nuovo cognome Ø world-war-i PDF ] by Elena Ferrante ½ This novel broke my heart It broke my heart so badly that I had to stop reading it for a few days to recover.
This is the second book of Elena Ferrante s Neapolitan series, and it follows Elena and Lila from their teenage years and into their early 20s Their neighborhood in Naples is still rough and violent in the 1960s, but Lila s marriage to the wealthy grocer Stefano allows her to climb out of the poverty The two friends were often competitive, especially about school, but in book two, they are also competitive about men.
Which brings me to why this novel broke my heart It s hard to talk about this book without spoilers, so I shall hide it for those who don t want to know yet view spoiler Elena, who is our narrator, has been in love with Nino Sarratore since they were children Nino is smart and driven, but also quiet and elusive While on vacat AMICHE GENIALIHerbert ListLa lingua napoletana, che con generosit , a volte invadenza, ci viene offerta, o imposta, dagli scrittori e dagli abitanti di quella splendida citt , qui manca del tutto Ho l impressione che manchi perfino pi che nel primo episodio di questa saga, e quasi se ne sente la mancanza forse perch a volte Ferrante si prodiga a spiegarci il tipo di dialetto che sta usando un suo personaggio invece di farcelo leggere, invece di farcelo sentire.
Elena e Lila da bambine e da adolescenti protagoniste della serie TV.
Credo sia il suo bisogno di comunicare a tutti indistintamente, di essere capita e non rischiare di essere fraintesa in queste pagine c un urgenza di racconto che sembra ansia Eppure, la lingua sempre controllata, la comprensione sempre agevolata, il pensiero e il sentimento di Ferrante passano a me lettore senza filtri e senza intralci Magia del ta Elena Ferrante is an absolute marvel This was utterly ravishing How does she do it Structurally her novels could hardly be conservative, her subject matter the fraught friendship of two women has been done to death And yet you re constantly left with the feeling that no one has ever done what she does before Or at least no one has done it with such searing insight and freshness Only a handful of writers can undress and get to the heart of women as lucidly and thrillingly as Ferrante The first hundred pages especially were quite simply a dazzling display of a writer removing all the paint and powder from a woman s face mask and showing us the naked truths beneath Ferrante is like a kind of dream psychoanalysis She dispels all the fog, unravels all the knots of a woman s deepest feeling and elucidates in simple language the fount, the hidden motive She always knows the secr What s your ugly place We all have one We all have a place we quite deliberately do not go to That we are aware is there, but have developed systems and defensive walls and jokes and denials in order to keep it out of the light of day It s the place you can t help but end up sometimes when something particularly embarrassing happens to you, something tragic, an epiphany about yourself that you didn t particularly want occurs to you It s the place where you were the person you never, ever wanted to be lives, and the memories of when that person came out that one time that you never want to think about again.
That deep down dark pit of your stomach feeling that s welling up and over as that image comes to your brain That s it That s the visceral level of vulnerability, insecurity, ugliness and pain that I saw there And there is where you need to view spoiler hide spoiler This is a marvelous novel with heart and soul, Neapolitan heart and soul that is The second installment in the famous Elena Ferrante tetralogy, for me anyway, exceeded the first book in originality and plot line I found it moving and a very quick read despite its nearly 500 page length.
For this review, I wanted to focus on the title and the importance of names in Ferrante s work First off, there is, it seems to me, a Proustian reference here to Le nom du pays Le nom which is the somewhat ambiguous subtitle of one of the early sections of La Recherche du Temps Perdu There are some similarities between Proust s style of describing Marcel s youth to how Ms Ferrante describes Elena s youth There is also a second subtle Proustian technique we learn in this book that the narrator writes her first book and publishes it under her name Elena and we know the author s name is g Ella Me Demostr Que Yo No Hab A Ganado Nada, Simplemente Porque En Este Mundo Nuestro No Hab A Nada Que Ganary Lo Que De Verdad Val A La Pena Era Verse De Vez En Cuando Para Que El Sonido Enloquecido De Nuestras Mentes Fuera Rebotando De La Una A La Otra Sin PararElla Es Una Mujer Hermosa, Alocada, Y Su Nombre Es Lila Es La Misma Ni A Que Conocimos En La Amiga Estupenda, El Primer Tomo De Esta Espl Ndida Trilog A Y Ahora, Reci N Cumplidos Los Diecis Is A Os, Acaba De Casarse Con Un Hombre Al Que Desprecia La Otra, Que Escucha, La Sigue Y Sin Querer La Imita, Es Nan , Una Alumna Brillante, Empe Ada En Aprender De Los Libros Todo Aquello Que Lila Aprende De La Vida A SecasAs , En Este Rebote De Sensaciones, Se Desarrolla Una Amistad Muy Peculiar, Una Relaci N Donde La Complicidad Es Ley Basta Una Mirada De Lila Para Que Nan Entienda Qu Pasa Realmente En El Dormitorio De Su Amiga Basta Una Sonrisa Para Descubrir Qu Se Esconde Tras Esos Vestidos Caros Que Se Acoplan Al Cuerpo De Lila Como Un Guante, Provocando A Los Hombres Del Barrio Basta Un Gesto Para Que Nan Sepa Que Lila Va A Cometer Una Locura Y Nadie Ser Capaz De DetenerlaN Poles, La Ciudad Que Las Ha Visto Crecer, Es El Escenario De Esta Comedia Que Tiene La Fuerza De Un Drama Y Se Quedar Entre Nosotros Como Una E Las Obras Maestras De La Literatura Del Siglo XXI For your whole life you love people and you never really know who they are Nunzia to Len , p.
215 This one s a heartbreaker So exquisitely rendered that you ll recognize your own hideous pain rising up to assail you again, dear Reader your losses, your miseries in the cause of love Ferrante makes universal the disparate pain all loving creatures suffer Toward the end, when reality becomes too much for some of the characters, they descend into scarily dissociative states that surprise and rattle.
The novel s narrative pleasure is dizzying Every action naturally folds into the next the continuity is superb The clarity is extraordinary, it never relents I found myself slowing down to take in the richness as I would when reading a poem That s the paradox Ferrante incites in readers between wanting to gallop through the stunning tale, to just gobble it up like Loved it just as much the 2nd time reading it I adore these characters and would read 100 books about them 4.
5 stars Update Bumping this one up to a 5 stars because after a few months of thinking about it, it s definitely my favorite in the series I keep finding myself thinking of certain scenes and elements of this installment, and I love it I m not sure if I can write a coherent review of this book right now There are so many layers to this story, so much to unpack, and yet still, as this is book 2 of 4, so much left to discover I am incredibly impressed by Ferrante s ability to develop characters that are real, real than almost any other characters I have read before They have ambition, are flawed, fight and love and inspire.
There is high probability I will come back and give this book a 5 star rating later, but fo 4.
5 stars Yes, it s Lila who makes writing difficult My life forced me to imagine what hers would have been if what happened to me had happened to her, what use she would have made of my luck And her life continuously appears in mine, in the words that I ve uttered, in which there s often an echo of hers, in my less which is such because of her , in mywhich is the yielding to the force of her less This second book in Elena Ferrante s Neapolitan series continues the story of two childhood friends, now young adults, Lila and Elena Just as riveting as My Brilliant Friend, The Story of a New Name captured my attention from page one It s quite dramatic really, and I found that at times my head was spinning from the depth of the penetrating look at the lives, behaviors, mo

Elena Ferrante is a pseudonymous Italian novelist.Ferrante is the author of a half dozen novels, including The Lost Daughter originally published as La figlia oscura, 2006 In 2012, Europa Editions began publication of English translations of Ferrante s Neapolitan Novels, a series about two perceptive and intelligent girls from Naples who try to create lives for themselves within a violent and